The Fingerprint Project links the ideas of personal migration (and identity) and interdependence. I began by collecting molds of friends’ fingertips, casting them in wax and mounting them on light blue fields painted directly on the wall in groupings that mimic animal migratory patterns. Shadows were added with sumi ink and powdered graphite so that it's hard to tell what's on the wall and what's hovering above it. This ambiguity is a metaphor for the co-creative acts of relationships and migration.