This series of site-specific installations link the ideas of personal migration, identity, and the Buddhist concept of interdependence. I began by collecting molds of friends’ fingertips, casting them in wax and mounting them on light blue fields painted directly on the wall in groupings that mimic animal migratory patterns. Shadows were added with sumi ink and powdered graphite so making it hard to distinguish what's on the wall and what's hovering above it.